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1980 was the point that John Nathan-Turner took over as producer and he remained in the role for 10 years until its cancellation, when he was finally freed. It was also the point where Christopher H. Bidmead become the script editor, but he only stuck around for the one season. The two of them brought a few changes to the show, but the one I feel like talking about right now is that bloody logo up there. Apparently, the designer thought that a neon sign was the ideal style to make the logo look fresh and modern, and maybe it was really trendy in 1980, I wasn't born yet, I wouldn't know. But right now it looks like it should be hanging up on a shop wall. Plus it's not even an illuminated sign, it's just glass! I hate it so much!
This era also got a new arrangement of the theme music, which was kind of a big change seeing as the original theme had been around in slightly different variations for 17 years. And I don't hate it! In fact, it really grew on me over the next few seasons. I think I still prefer the original theme better though and I'm definitely not so keen on the slit-scan tunnel being replaced with the cheesy starfield. Nathan-Turner thought that the old opening title sequence looked dated and needed an update, but I think the kaleidoscopic time vortex has actually aged better. Making new a title sequence for every season is something I can definitely endorse though, so it's a shame I reckon that they stuck with variations of this one for the next 7 years.
There'll be SPOILERS beyond this point, but not for future episodes. Only past and present ones, relative to the story you're reading. So I won't be sharing my first impressions of Jodie Whittaker's Tardis console room halfway through my review of The Keeper of Traken.
