Star Trek: The Original Series 2-15: The Trouble With Tribbles

Episode:

44

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Writer:

David Gerrold

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Director:

Joseph Pevney

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Air Date:

29-Dec-1967

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This week on Sci-Fi Adventures, I'm going to try to find something new to say about The Trouble with Tribbles, arguably the most famous episode of Star Trek: The Original Series. It's the one with the tribbles in it.

You've probably figured out from the clues that this was written by David Gerrold. In fact, it was his first professional sale. He went on to provide two scripts for Star Trek: The Animated Series and was part of the team that developed Star Trek: The Next Generation, even writing some of the series bible. Unfortunately, season 1 TNG was a damn mess behind the scenes and he left the show without writing a single episode.

The title card doesn't mention that it was heavily rewritten by producer Gene Coon. It was one of his final episodes as producer, as the work was exhausting and he was butting heads with Gene Roddenberry over the amount of comedy he was bringing to what was supposed to be a serious show.

This was originally the last episode of 1967, which basically covered Coon's time on the series, give or take a few episodes. It's probably not a coincidence that 1967 may have also featured the best run of stories in the franchise's history. They weren't all winners, but the first episode to air that year was The Galileo Seven, one of my favourites, then you've got stories like Arena, Space Seed, Devil in the Dark, Errand of Mercy, City on the Edge of Forever, Amok Time, Mirror Mirror, The Doomsday Machine, Journey to Babel etc. I'm not saying that Gene Coon was the real talent behind classic Star Trek, it was a team effort, but the show shined brightest when he was part of that team. And not just a freelancer dropping off scripts like Spock's Brain.

Okay, I'm going to be going through the whole episode and writing my thoughts underneath screencaps, so there will be SPOILERS here. I won't spoil anything that aired after it though. Even episodes that actually have 'tribbles' in the title.

Star Trek: The Original Series 1-18: Arena

Episode:

18

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Writer:

Gene L. Coon

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Director:

Joseph Pevney

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Air Date:

19-Jan-1967

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This week on Sci-Fi Adventures, I should really finish writing about Strange New Worlds season one before the second season starts, but I felt like I should cover this episode of the classic series first, for some reason. Like there's something in here that might be relevant...

Anyway, Arena was the 18th episode of Star Trek: The Original Series in its US airing order, coming just a few weeks after the last episode I wrote about, Balance of Terror. Here's some trivia you won't find anywhere else on the internet: Arena is the only episode of Star Trek to share its name with an Elder Scrolls game, and one of two to share its name with a Wing Commander game.

I've got some better trivia for you: they gave a 'story by' credit to writer Frederic Brown even though he didn't do any work on the episode whatsoever. In fact, Gene Coon came up with the whole script by himself. But then he learned that it had similarities to another story printed 20 years earlier in Astounding Science Fiction magazine, which was also called Arena. So Coon decided to just pretend he'd based it on Brown's idea and asked him for permission.

SPOILER WARNING: I'm going to go through Arena one scene at a time, writing down what happens and I what I think about that, so if you don't know what happens in the episode now, you will do by the time you reach the end. I'll not be spoiling anything that aired after it however, so if you're watching through Star Trek for the first time there'll be no Next Generation or Strange New Worlds spoilers to worry about here.

Star Trek: The Original Series 1-14: Balance of Terror

Episode:

14

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Writer:

Paul Schneider

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Director:

Vincent McEveety

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Air Date:

15-Dec-1966

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This week on Sci-Fi Adventures, I'm watching classic Star Trek: The Original Series episode Balance of Terror, from halfway through season 1. It's maybe a bit of a weird choice, seeing as the last episode I wrote about was the season 2 finale Assignment: Earth, but I have my reasons. Also by pure coincidence, it's the next episode alphabetically. That's the last of the A titles and this is the first of the Bs.

Speaking of titles, this and Encounter at Farpoint must have the two dullest looking title cards in Star Trek. Though I suppose it's thematically appropriate not to see anything. The title itself is also appropriate to the episode as a 'balance of terror' is when two opposing nations have an equal capacity for destruction on a horrifying scale, and a fear of retaliation keeps them from going to war.

I'm going to be watching the remastered version with the new CGI effects and I'll be curious to see how it compares to the other episodes I've written about, as this was the very first one to get the remastering treatment. They got it released on 16th September 2006, just a week late for the show's 40th anniversary.

I'm also going to be writing words under my screencaps and I'm basically going to give SPOILERS for every moment of the story. I may even spoil some things from earlier episodes as well, but nothing released after 15th December 1996. I mean within reason. I may mention a few things about Enterprise.

Star Trek: The Original Series 2-26: Assignment: Earth - Part 2

This week on Sci-Fi Adventures I'm still watching the Original Series episode Assignment: Earth. Not to be confused with the DS9 episode The Assignment. This features an Assignment to Earth specifically.

If you're looking for PART ONE, click that text to jump straight over to it. You wouldn't think this of all episodes would have enough content for me to drag this out into a second article, but here we are. And now I'm having to write a second intro to go along with it, with even more trivia.

This is the season finale for season two, but Star Trek was made back in a time when seasons could have a ridiculous number of episodes, so it ended up being episode 55. That's the exact number of episodes that Star Trek: Discovery's current at after four seasons. Lower Decks and Prodigy have been around for a few years now as well, but even if you combine the two their episode count hasn't quite reached that high yet.

I'll be going through the remaining episode scene by scene but all my SPOILERS will be restricted to 1968 and earlier. That's season one and season two and that's it, there will be no Spock's Brain spoilers here.

Star Trek: The Original Series 2-26: Assignment: Earth - Part 1

Episode:

55

|

Writer:

Art Wallace

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Director:

Marc Daniels

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Air Date:

29-Mar-1968

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This week on Sci-Fi Adventures I'm watching the infamous Assignment: Earth, the Star Trek episode that was blatantly a backdoor pilot for a spin-off series. A series that ultimately never got made.

Assignment: Earth the TV show was Gene Roddenberry's project, and the idea had apparently been around for a while. In fact he'd come up with initial story outline in 1965, shortly after the first Star Trek pilot got rejected. Star Trek's second pilot had a lot more luck, but Roddenberry continued working on Assignment: Earth's pilot as well, coming up with a first draft in 1966. By 1967 Trek's chances weren't looking good; even if it got a third season it likely wasn't getting a fourth, so Roddenberry decided to rework his script into a Star Trek episode. This would allow him to use Star Trek's resources to make his pitch in the form of a backdoor pilot.

(Though writer Art Wallace presumably did a lot of the rewrite work on it as well, seeing as it's his name on the teleplay. Wallace joined forces with Roddenberry after he pitched a similar series and got told that someone else had beaten him to it.)

Personally I'd say that the season finale is usually (but not always) the wrong time to give half the episode away to the guest stars. Though if things had worked out differently this could've been the last episode of Star Trek and the launch pad for the wildly successful Assignment: Earth! Decades later people could've been amazed to hear that the the series had been a spin-off of some long forgotten cult sci-fi show, and they'd be arguing over whether the Tom Cruise movies are better than the original series.

Alright I'll be going though the whole episode scene by scene, attempting to summarise what happens and what I think about it, while also finding room to sprinkle in a bit of trivia. This means that there's going to be SPOILERS, but only for the first two seasons of TOS.

Star Trek: The Original Series 1-03: Where No Man Has Gone Before

Episode:

3

|

Writer:

Samuel A. Peeples

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Director:

James Goldstone

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Air Date:

22-Sep-1966

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This week on Sci-Fi Adventures, I'm watching the third episode of Star Trek: The Original Series: Where No Man Has Gone Before. It's also the second and the first, depending on how you look at it.

Sometimes people use the term 'pilot episode' to refer to the first released episode of a series, but this story was a true pilot, created to prove the concept and get Star Trek green lit. In fact it was the second pilot, produced after The Cage failed to win executives over. Getting two pilots like this was unusual, probably still is. When Desilu (the studio) originally came to NBC (the network) they'd offered them a choice of four story concepts and NBC picked the hardest one, so they felt like they were partly to blame for it not working out like they'd hoped.

So the Star Trek folks came up with some new options for the executives to choose from: three scripts titled Mudd's Women, The Omega Glory and Where No Man Has Gone Before. All three stories were put into production eventually, with Mudd's Women being regarded as one of the worst episodes of season 1, and The Omega Glory one of the worst in season 2. Fortunately Where No Man Has Gone Before was the script chosen for the second pilot, and it got the job done, earning Star Trek its first season.

It takes a while to get a TV series going though, so they ended up sitting on the finished episode for over a year. The episode ended up airing as the third story in season one, after The Man Trap and Charlie X, which is a bit weird as it features different characters and uniforms to the episodes before and after it. It does have the same premise as Charlie X though to be fair, so the story would've been familiar enough. Also at this point 66.7% of all Star Trek episodes featured the word 'man' in the title, down from 100% a couple of episodes ago. At the time of writing Trek would have to release another 550 episodes with 'man' in the name to get the percentage back up to where it was this week in 1966.

I'd give you some more facts, like how the cinematographer, Earnest Haller, had won an Oscar for Gone with the Wind and was pulled out of retirement for one last job, but I think I've proven by now that I've read the Wikipedia page.

Okay I'm going to go through the whole episode now commenting on basically everything, so this review is going to have SPOILERS. I'll not spoil anything that aired after it however, no matter how many Gary Mitchells or galactic barriers it has.

Star Trek: The Original Series 1-01: The Man Trap

Episode:

1

|

Writer:

George Clayton Johnson

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Director:

Marc Daniels

|

Air Date:

08-Sep-1966

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It's Star Trek Day today, September 8th, so to celebrate I've decided to rewatch The Man Trap, the very first ever episode of Star Trek! Well... maybe. It's arguably not even the first with 'Man' in the title.

The Man Trap was the sixth episode of The Original Series to be filmed and it's at least the fourth chronologically (after The Cage, Where No Man Has Gone Before and The Corbomite Maneuver). But it's undisputedly the first Trek story to air on televisions and it aired exactly 55 years ago today, so that's why I'm writing about it. Well okay it aired two days earlier in Canada, but no one counts that for some reason.

There were a few reasons why this episode was chosen to get moved to the front of the line, such as: it has the characters down on a strange new world instead of being bottled up on the ship, it doesn't include any "space hookers", it's got a straightforward story, the visual effects could be completed on time, and it has a scary space monster. Uh, spoilers, sorry. Basically they wanted to put their best foot forward to maximise their chances that viewers would come back for a second story.

It was directed by Marc Daniels, who was credited on 14 episodes over three seasons, leaving him tied with Joseph Pevney as the series' most prolific director. On the other hand this was writer George Clayton Johnson's only Trek story. He wrote a bunch of Twilight Zone though and co-wrote the novel Logan's Run, so he wasn't the worst choice for the job! In fact the Star Trek producers made a habit of trying to get acclaimed science fiction authors to write for the series... and then heavily rewriting them afterwards to make their stories feel like Trek. The writers weren't always impressed.

Okay, I'm going to go through the whole episode one scene at a time, writing a recap under my screencaps and sharing my thoughts along the way. This means that there'll be SPOILERS for this episode and every single other Trek episode that aired before it. All zero of them.